Yeah, I don’t have a Fantastic Beasts review yet. A mixture of being swamped with university work and large dose of apathy to watching the latest offering from JK Rowling means that it will be possibly a few weeks after it has come out when I finally get round to it. So instead, this week I have a film that I actually did have a passing interest in, from the director Forrest Gump and Back To The Future.
Allied stars Brad Pitt, Marion Cotillard and Jared Harris and is directed by Robert Zemeckis. The film follows Canadian spy Max Vatan (Pitt) and French Resistance fighter Marieanne Beausejour (Cotillard) in Nazi-occupied Morocco. After falling in love and successfully completing their mission, they marry and move to London, but their life is shattered when rumours about Marieanne’s allegiance to the Allied Forces is questioned.
I was looking forward to Allied. There haven’t been many films set in the North African Theater of World War Two (the only ones I can think of are the fabulous Casablanca and Ice Cold In Alex), making Allied stand apart. While the opening half hour is set in Africa, the second part is relegated to London and French countryside. It’s such a let-down to move to an overused setting of WW2, and the film never really recovers. It’s also annoying that incredibly shoddy back projection has been used. It’s so easy to see that Brad Pitt and Marion Cotillard are sitting in front of a green-screen rather than an actual sand dune, and makes the film worse for it.
Brad Pitt and Marion Cotillard are fine in their roles. They have an old-school glamour about them, easily fitting into the time period and setting, but they aren’t helped by the script. It’s extraordinarily hammy, while also managing to be boring at the same time. There are moments of tension, but the script can’t keep the mystery of Marieanne’s allegiance going. One mystery, however good it maybe, cannot sustain a film’s runtime. You need other story arcs to be invested in, but Allied doesn’t deliver the latter part.
Due to both characters being fighters in the war, I was expecting some action scenes. We only get a measly two, and even those weren’t that long or thrilling. The assassination sequence and ensuing escape are barely built up, leading to a lacklustre climax. It would have been cool to see these two highly trained killers cause havoc inside the Nazi compounds, with some nice tracking shots of them moving through the buildings to their escape vehicle. But no, instead we have an incredibly short action sequence, a shame for how good it could have been. We have another action segment in the French countryside, but isn’t even worthy of merit to even talk about.
It’s not all bad. The film has its individual moments of brilliance, reminding us how good a director Robert Zemeckis is. The good parts are mainly in the Casablanca section; the first few hectic moments of the assassination and Marieanne and Max making love in their car while a sandstorm rages around them. The film has scenes with visual flourish, but can’t sustain them throughout an entire film.
It’s shouldn’t be hard to film a tense war-time thriller. Hollywood has been doing it since the 1950s. Heck, we just had one a few months ago in Anthropoid. And due to the lack of chemistry between the two stars, I’m not even interested in the ‘romance’ side of the ‘romantic-thriller’ that Allied has been billed at. Unless you truly love the actors, or have an affinity for war-time aesthetics, this one should be a miss.
Score: 5/10 Early good looks and scenes give way to a dragging second half.