Sicario was one of the highlights of last year. A dark, twisting film about an extra-legal team from the FBI trying to shut down the drug cartels in Mexico. So when writer of Sicario, Taylor Sheridan, name came up in the pre-release buzz around Hell Or High Water, my interested picked up. Are we in for another grim treat?
Hell Or High Water stars Chris Pine, Ben Foster, Jeff Bridges and Gil Birmingham and is directed by David Mackenzie. The film follows a pair of bank-robbing brothers (Pine and Foster) who after several daring heists are chased by a determined aging Texas Ranger (Bridges).
The three leads are tremendous, a sure reason to go see Hell or Water. Just like other great suspense heist films such as Heat, we see both sides of the law, seeing their wins and losses, with us rooting for both cop and criminal. Jeff Bridges does his usual “too old for this” schtick. He even says that this is his last case (an all too common trope), but he is still an interesting character. Chris Pine and Ben Foster work well together as brothers Toby and Tanner, they have a good back-and-forth, whether it be during the getaway or back home on the ranch. Pine sheds his usual douchy persona and brings a layered character, trying to provide for his family doing something that might get him killed. Ben Foster starts off as the wackier older brother, but thankfully adds more nuance to his performance rather than the played out lunatic bank-robber formula. All three sport Texan accents, which sometimes are hard to understand.
While the film is supposed to be in West Texas, it was actually filmed in New Mexico. Even so, the scenery is beautiful. Much like Sicario before it, Hell Or High Water has may long. wide shots of the never-ending landscapes and stunning setting suns. The film also makes use of the urban environments, little one-street towns and retro diners, leaving a sense of places that simply got lost in time. It gives both a feeling of modern day but also timelessness. If you swapped out the 4x4s for horses and the automatic rifles for revolvers, you would have yourself an old-fashioned Western.
The film is over 100 minutes, but none of it felt like it was dragging or padding out the run-time. The extended bank sequences, using long sweeping takes rather than conventional editing keep the excitement up as the brothers go from bank-to-bank. The film also masters the art of the “ticking-time-bomb”, having something dangerous (in this case a bank robbery) in the background, while the other characters are talking with each other, oblivious to what is happening behind them. These dual approaches to the story keep it moving rather than the slower methods or predictability of previous heist films. The plot might become apparent to more savvy watchers, but the story behind why the brothers are bank-robbing will keep you invested until the finale, with raging gun battles and car chases suiting the more action-oriented fans.
The action is rather sporadic, but it is explosive and brutal. Guns are used more for intimidation, but when bullets start flying they leave blood and brains splattered. It isn’t glorified, again, similar to Sicario, it’s more sickening than fun.
The film is completed by country music, blaring both out of the radio and as part of the soundtrack, created by Nick Cave and Warren Ellis. While country may not be to my taste, it fits the film’s setting perfectly, once again creating that atmosphere of young and old merging together.
I was holding Hell Or High Water to a high standard with the list of names attached, but it easily delivered. With tense and dramatic heist sequences, beautiful scenery and supreme acting from the three leads, this is one to go and see.
Score: 9/10 They don’t make many like this anymore.