Top 10 Best Films of 2015

Well, we’re already at the end of 2015. And so, like every other film reviewer, it is customary for a Top 10 list of the best and worst films this year. This list is the best of 2015.

A few rules before I start, only films I’ve reviewed will be appearing on this list, so if you’re looking for a certain film and it isn’t on here, that’s why. Also, this list doesn’t take into account my scores. So a film that scored an 8 or 9 maybe in a higher position on the list than one that has a 10. It happens, I might have just liked a film more after I had written the review. But anyway, let’s get on with it. Some honorable mentions that didn’t make the list;

Amy
Blackhat
Paper Towns
Wild

And now for the rest…

10.

It was a toss up between this and Amy, but after thinking about it I found more enjoyment in Steve Jobs. Standout performances from Michael Fassbender, Kate Winslet and Seth Rogen, a fun and witty script by Aaron Sorkin that manages to be easy and entertaining for the most tech-phobic person to understand.

9.

2015 was a great year for animation, and there are at least two films on this list that show the diversity that was the animation choices this year. Number nine, Song Of The Sea is beautifully crafted and tells a sweet and simple story filled with giants, owls and fairies set in Ireland. It’s going to be one that will be remembered as a standout in future years.

8.

This film threw me when I first saw it. My thoughts when coming out of the cinema were around a 5/10, but after pondering on it, it became one of my favorites of the year, it’s Sicario. Dark, disturbing and sometimes sickening, it’s also a great action thriller, with a standout role for Benicio Del Toro. Director Denis Villenueve seems to be on a roll for creating suspenseful films and Sicario cements his already great resumé.

7.

A recent one, it’s nevertheless a great film. Spielberg comes back to us with Bridge of Spies, and shows he’s still one of the greatest directors living today. In a year filled with spies (Man From U.N.C.L.E., Kingsman and SPECTRE) Bridge Of Spies takes away the bombastic set pieces and brings it down to tense tradeoffs of enemy spies in snowy Berlin. It’s still in the cinema at the time of writing, so if you haven’t had the chance, it’s a great choice to go see.

6.

This was a little closer to the top four when I first made this list and I still think it being on this list will produce a few arguments in my house over whether it was actually that good. But damn it, I love James Bond, and SPECTRE was just what I was asking for. Every other Craig era Bond film has been a character redefining piece, so it’s nice for SPECTRE to get back to the series traditions. Add the gunbarrel, the impressive four-minute shot of the Day of the Dead and Lea Seydoux in one of the best Bond Girl roles since Diana Rigg, for me it’s one of the years best.

5.

John Wick was one of the earliest films I reviewed in 2015, but I had been waiting for it for so long and it still delivered under the intense amount of hype. It was full of everything I love, martial arts, practical stunts and Keanu Reeves. It has a simple set-up for a story, which is just fine since we are here for the gunfights and punch-ups, with the nightclub scene being on a par with the excellent nightclub shootout from Collateral. Like I said in my review, if you’re a fan of The Raid or it’s sequel, John Wick is more of the same.

4.

Four is Brooklyn, the second film to come from the Irish Film Board this year that appears on this list. A trans-Atlantic love story written by Nick Hornby and starring up and comers Saorise Ronan, Domhnall Gleeson and Emory Cohen, it’s heartfelt and sweet, without descending into mawkish Nicolas Sparks style storytelling. Brooklyn stands up there with Calvary, widely considered to be the greatest Irish film ever made.

3.

Inside Out has been appearing on many other peoples Best-Of 2015 lists, and it deserves all of the praise it gets. An inventive premise, that manages to tackle some incredibly dark topics for what is meant to be a kids film. Inside Out shows why Pixar is Pixar, and everyone else is everyone else.

2.

After starting The Student Film Review, I’ve been going to as many films as I can. Films that I wouldn’t have even looked twice at I’ve gone to and in doing so I’ve found some absolute crackers. Precinct Seven Five is one of those films. 2015 has had some good documentaries but for me Precinct Seven Five takes it. Essentially a real-life Scorsese film, the film follows two cops in the 75th Precinct in New York as they decide to become both criminals as well as cops. It’s amazing and shows that documentaries can be more pulse pounding than some action films.

1.

I ummed and ahhed over whether to give number one to this or Precinct Seven Five. But I ultimately gave it to this since it gave me a much more visceral thrill after watching it than Precinct Seven Five, or really any other film did this year. My number one for 2015 is Macbeth. Michael Fassbender (for the second time on this list) and Marion Cotillard give amazing performances, while director Justin Kurzel creates some beautiful shots and brother Jed Kurzel brings a stellar soundtrack. The quartet take one of the most adapted plays of William Shakespeare and turn it into a brooding and violent war epic. It just goes to show that sometimes the best stories are the old ones.

 

I guess that’s it for 2015. I’m Tom, The Student Film Critic and welcome to 2016!

Read the contrasting post on the Top 10 Worst Films of 2015!

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Song Of The Sea Review

Song Of The Sea has been gaining traction in the past few months. Originally being shown at the Toronto Film Festival in 2014 and then being nominated for Best Animation at the 2014 Academy Awards, it has only started its public cinema run in the UK. Does it live up to the hype?

Song Of The Sea is directed by Tomm Moore and stars David Rawle, Brendan Gleeson, Fionnula Flannagan, and Lisa Hannigan. The story follows Ben (Rawle) and his mute sister Saorise as they go on a mystical adventure filled with Irish folklore creatures in a bid to find out what happened to their mother, who disappeared the night Saorise was born.

Song Of The Sea deserves its nomination for Best Animation at the Oscars. The 2D animation is striking and beautiful with subtle hints of Studio Ghibli’s more esoteric works, the cartoon designs from The Legend Of Zelda and the cutout silhouettes from Wes Anderson’s films. It can’t be stated enough that the film is mesmerising and I can’t think of an animated film so recently that the animation on its own blew me away.

The story is heavily rooted within Irish folklore with selkies, fairies, giants, and the odd animal deity coming in and out of the film to either help or hinder our protagonists. This is where the animation shines, giving us these fantastical creatures that wouldn’t look anywhere near as good if it was all CGI. Even the homes and houses of these creatures such as the selkie underwater neighbourhood or the owl house that features later on in the film are lovingly put together with some standout scenes and sets.

Even so, the story is a very clichéd and overdone one; a story of young child going off on an adventure and trying to find an absent parent. It is a story that Studio Ghibli has been doing variations on for a while, but here in Song Of The Sea it is beautifully told and has several emotional punches. There was around three times where I welled up due to the story and portrayal of the characters with the last ten minutes serving a real emotional blow that is sure not to leave a dry eye in the cinema. It is a story that everyone can relate to, whatever age they are.

The film is full of great Irish actors. Brendan Gleeson and Fionnula Flanagan are both excellent in their dual roles, playing both the father and grandmother of Ben and Saorise as well as the films interpretations of the Ancient Irish folk heroes. Two small roles for the Irish comics Pat Shortt and Jon Kenny as two parts of a trio of musical playing fairies are fun to watch and to listen to. But the greatest praise must go to David Rawle for his portrayal of the young boy Ben. For a young actor it is a challenge to carry nearly a whole film on his own, but Rawle manages to do it with a sincere and heartfelt portrayal of an older brother trying to help his younger sister.

The score, created by Bruno Koulais and Kila (with many songs being sung by the voice cast as well), is near constantly played throughout the film, but it never gets old or repetitive. Apart from the odd verse nearly all of the songs are sung in Irish which adds to the ethereal quality of the film. The best song though is the lullaby rendition of the main theme that plays over the credits. It is well worth staying through the credits just to hear this amazing song which is sung by the French singer Nolwenn Leroy.

In summary, Song Of The Sea is a great-animated feature, beautifully crafted and heartfelt in its story and characters. This is definitely not one to miss.

Score: 10/10 Destined for classic status.