Sausage Party Review

Seth Rogan I feel is one of those people that you either love or hate. I know so many people who either think it’s one of the best comedy creators of the 21st century and others who wouldn’t watch his films unless you forced them to. Me, I’m a bit of both; I like Knocked Up and Superbad but couldn’t get into Pineapple Express. And now, his latest, an animated film, Sausage Party is in theatres.

Sausage Party stars Seth Rogan, Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill and is directed by Conrad Vernon and Greg Tiernan. The film follows a sausage called Frank (Rogan) and his girlfriend Brenda, a bun (Wiig) who find out the terrible things that happen to food when they leave the supermarket.

The cast list is immense. Aside from the ones previously mentioned, the film also includes Edward Norton, Salma Hayek, James Franco and Danny McBride. And unlike other animated films none of them sound like themselves (2016s The Jungle Book is the opposite, with some voices being so recognisable that it became distracting). Even Rogan sounds quite a bit different from his usual persona, it took a long time for me to realise it was him.

The jokes meanwhile, are your usual Rogan-style. Even with a cast made up of various food-items, Rogan manages to push in marijuana and stoner jokes, like every other film of his. The jokes lose some of their shine as the film goes on, you see one jar of honey mustard swear and make sexual innuendos, seen them all. The jokes do pick up however in the final act. The final twenty minutes is a roaring mad send-off to a film that was losing steam, with the last five minutes being a fantastic gross-out scene, making the Elephant Scene from Grimsby look tame by comparison.

The film’s laughs aren’t just powered by sex, drugs and swearing though. There are a few cute visual sight gags, such as a Jewish Bagel and a Middle Eastern Lavash constantly trading verbal barbs, a jar of sauerkraut that looks vaguely Nazi-fied (and wants to destroy all juice, a bit of wordplay) and “I’d Do Anything For Love” sung by an actual Meat Loaf. It’s more satirical than the trailers would give it credit, with ideas about religion and politics being explored, if a little bit on the nose. All these jokes are added for the more eagle-eyed viewers, but are sadly overpowered by the traditional “Stoner-Bro” comedy of Rogan and his entourage.

The story, to cut it down to its bare essentials could be said to be Toy Story but for grown-ups. You remember how Buzz Lightyear thought he was a real spaceman before learning the truth? It’s that, just filled with a lot more swearing and sex. Apart from that novel raunchiness though, not much else is that interesting or note-worthy. You can tell how the story is going to play out beat-by-beat, with hackneyed break-up/make-up sections and other screenwriting 101 plot points. If you can get over those though, you should be pretty fine. The concept though, of food learning what it’s true purpose is, it’s interesting enough that it sold me on the film. The food’s have their little districts; the spices and curry are mocked up to be an Indian Market, the Alcohol Aisle is a rave, the Frozen Food section is a snowy mountain, it’s all cute and imaginative until juice-boxes are getting sexually assaulted and baby carrots are being eaten alive, then you remember the film is rated 15.

In the end, I’m conflicted by Sausage Party. It’s jokes got stale after a while and the story is by-the-books, but the concept and the over-the-top final twenty minutes means that it’s score moves up. Overall it doesn’t deserve to be on the Must-Watch list, but for those few jaw-dropping moments, everyone should watch this one.

Score: 7/10 Absolutely bonkers, with a small streak of smarts.

Steve Jobs Review

Back in 2013, there was a Steve Jobs biopic with Ashton Kutcher playing the titular man. Even with having one of the most influential men of the late 20th century as its subject matter, the film bombed both critically and commercially, despite a good performance by Kutcher. Can director Danny Boyle and screenwriter Aaron Sorkin come together to give Steve Jobs the film he deserves?

Steve Jobs stars Michael Fassbender, Kate Winslet, Seth Rogan and Jeff Daniels and is directed by Danny Boyle. The film follows Steve Jobs (Fassbender) behind the scenes of his three most famous PC demonstrations, the Mascintosh, The NeXT and the iMac, as well as the backroom deals that lead to him leaving the company.

While I would have thought the three-act structure, each featuring similar set-ups would have grown tired quickly (how many variations can you think of what amounts to a tech demo?), I was thoroughly surprised how each one managed to feel completely different. Aaron Sorkin (of The Social Network and Moneyball fame) brings a totally unique way of viewing Jobs’ life, through these three distilled fragments instead of a traditional narrative, and it completely fits the film. While some of the character interactions in the films feel a bit contrived, with the main players in Apple Inc. reappearing at each tech demo, the film manages to keep it together, even joking at how contrived one scene near the end is.

Sorkin’s script is a shining point in the film, with his signature quick-fire dialogue making certain scenes a joy to watch. I wouldn’t have thought that a film about creating computers would have been interesting to listen to, and even thought the film is full of ports, routers, modems and other jargon, it’s still incredibly compelling. The back and forth between Jobs and his aide Joanna Hoffman, as well as the verbal sparring between Jobs and the mother of his child allow the actors to show off their range, but the scenes that I had the most enjoyment were the exchanges between Jobs and Andy Hertzfeld, an original Mac Team engineer, as they try and fix the Macintosh before the reveal. Throughout these scenes, Jobs demeans and undermines Hertzfeld, who just has to grit his teeth and go along with it if he wants to keep his job.

The acting by all is remarkable. Michael Fassbender is on a roll in 2015, with another excellent performance under his belt. He portrayal of Jobs is very different from the charismatic public speaker that was usually seen. Here, we get an almost psychopathic artist, who knowingly screwed over several of his co-workers, showing us a much darker side to the CEO. Kate Winslet as Job’s confidante Joanna Hoffman is good, and she is almost unrecognisable underneath her dark hair and thick glasses. Seth Rogan, known for his comedic roles breaks typecasting as Steve Wozniak, Apple’s original co-founder, coming off as a shy and quite nerdy character. There is even a surprising turnaround performance by Rogan in the third act where Wozniak explodes at Jobs.

My only real problem with Steve Jobs is that for all the build up and rehearsals of the unveiling of the new computers that had been designed, we never see the reveals. While these were obviously not integral to the story, it would have been a nice addition given how much the film hyped up these scenes. My eyelids did drop at one point during the third act but my interest in the story kept me awake to see it till the end.

In conclusion, Steve Jobs has everything, a great cast list, a seasoned director and a script written by one of the greatest living screenwriters today. Criminally, the film has been pulled from several showings to due to its poor response in America, but if you are able to get to a showing, I would highly recommend that you see Steve Jobs.

Score: 8/10 A gripping film, where we see the madness behind the man.