Top 10 Best Films of 2015

Well, we’re already at the end of 2015. And so, like every other film reviewer, it is customary for a Top 10 list of the best and worst films this year. This list is the best of 2015.

A few rules before I start, only films I’ve reviewed will be appearing on this list, so if you’re looking for a certain film and it isn’t on here, that’s why. Also, this list doesn’t take into account my scores. So a film that scored an 8 or 9 maybe in a higher position on the list than one that has a 10. It happens, I might have just liked a film more after I had written the review. But anyway, let’s get on with it. Some honorable mentions that didn’t make the list;

Amy
Blackhat
Paper Towns
Wild

And now for the rest…

10.

It was a toss up between this and Amy, but after thinking about it I found more enjoyment in Steve Jobs. Standout performances from Michael Fassbender, Kate Winslet and Seth Rogen, a fun and witty script by Aaron Sorkin that manages to be easy and entertaining for the most tech-phobic person to understand.

9.

2015 was a great year for animation, and there are at least two films on this list that show the diversity that was the animation choices this year. Number nine, Song Of The Sea is beautifully crafted and tells a sweet and simple story filled with giants, owls and fairies set in Ireland. It’s going to be one that will be remembered as a standout in future years.

8.

This film threw me when I first saw it. My thoughts when coming out of the cinema were around a 5/10, but after pondering on it, it became one of my favorites of the year, it’s Sicario. Dark, disturbing and sometimes sickening, it’s also a great action thriller, with a standout role for Benicio Del Toro. Director Denis Villenueve seems to be on a roll for creating suspenseful films and Sicario cements his already great resumé.

7.

A recent one, it’s nevertheless a great film. Spielberg comes back to us with Bridge of Spies, and shows he’s still one of the greatest directors living today. In a year filled with spies (Man From U.N.C.L.E., Kingsman and SPECTRE) Bridge Of Spies takes away the bombastic set pieces and brings it down to tense tradeoffs of enemy spies in snowy Berlin. It’s still in the cinema at the time of writing, so if you haven’t had the chance, it’s a great choice to go see.

6.

This was a little closer to the top four when I first made this list and I still think it being on this list will produce a few arguments in my house over whether it was actually that good. But damn it, I love James Bond, and SPECTRE was just what I was asking for. Every other Craig era Bond film has been a character redefining piece, so it’s nice for SPECTRE to get back to the series traditions. Add the gunbarrel, the impressive four-minute shot of the Day of the Dead and Lea Seydoux in one of the best Bond Girl roles since Diana Rigg, for me it’s one of the years best.

5.

John Wick was one of the earliest films I reviewed in 2015, but I had been waiting for it for so long and it still delivered under the intense amount of hype. It was full of everything I love, martial arts, practical stunts and Keanu Reeves. It has a simple set-up for a story, which is just fine since we are here for the gunfights and punch-ups, with the nightclub scene being on a par with the excellent nightclub shootout from Collateral. Like I said in my review, if you’re a fan of The Raid or it’s sequel, John Wick is more of the same.

4.

Four is Brooklyn, the second film to come from the Irish Film Board this year that appears on this list. A trans-Atlantic love story written by Nick Hornby and starring up and comers Saorise Ronan, Domhnall Gleeson and Emory Cohen, it’s heartfelt and sweet, without descending into mawkish Nicolas Sparks style storytelling. Brooklyn stands up there with Calvary, widely considered to be the greatest Irish film ever made.

3.

Inside Out has been appearing on many other peoples Best-Of 2015 lists, and it deserves all of the praise it gets. An inventive premise, that manages to tackle some incredibly dark topics for what is meant to be a kids film. Inside Out shows why Pixar is Pixar, and everyone else is everyone else.

2.

After starting The Student Film Review, I’ve been going to as many films as I can. Films that I wouldn’t have even looked twice at I’ve gone to and in doing so I’ve found some absolute crackers. Precinct Seven Five is one of those films. 2015 has had some good documentaries but for me Precinct Seven Five takes it. Essentially a real-life Scorsese film, the film follows two cops in the 75th Precinct in New York as they decide to become both criminals as well as cops. It’s amazing and shows that documentaries can be more pulse pounding than some action films.

1.

I ummed and ahhed over whether to give number one to this or Precinct Seven Five. But I ultimately gave it to this since it gave me a much more visceral thrill after watching it than Precinct Seven Five, or really any other film did this year. My number one for 2015 is Macbeth. Michael Fassbender (for the second time on this list) and Marion Cotillard give amazing performances, while director Justin Kurzel creates some beautiful shots and brother Jed Kurzel brings a stellar soundtrack. The quartet take one of the most adapted plays of William Shakespeare and turn it into a brooding and violent war epic. It just goes to show that sometimes the best stories are the old ones.

 

I guess that’s it for 2015. I’m Tom, The Student Film Critic and welcome to 2016!

Read the contrasting post on the Top 10 Worst Films of 2015!

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Precinct Seven Five Review

Originally being shown at Sundance in 2014, Precinct Seven Five almost slipped under the radar with me. I only found out about it when looking up the releases that were scheduled for the 2015 summer period, and upon investigation I became extremely excited to watch it. Does it live up to the expectations and the reviews?

Precinct Seven Five stars Michael Dowd, Ken Eurell, Walter Yurkiw and Dori Eurell and is directed by Tiller Russell. Focusing on the 75th Precinct in New York City during the crime rise of the 1980s and the 1990s, Precinct Seven Five follows the cops who used the situation to their advantage, becoming both police officers and criminals.

Precinct Seven Five starts with the testimony and trial of police officer Michael Dowd. He starts to be quizzed by a member of the commission and he admits to the crimes that he has committed over the past years. Burglary, extortion, drug trafficking, its all here. It’s a brilliant way to start the film, giving us a list of the crimes that we are about to see unravel in the film, knowing that eventually, they will all come back to put him behind bars. The film keeps jumping back to the testimony every ten to twenty minutes, with these brief exchanges telling us the audience that a new sequence of debauched acts are about to take place.

The amount of research and footage is amazing. Credit to the filmmakers for probably pouring through hours of news footage, mugshots, maps and tape recordings. But all that time spent pays off, with the film seamlessly flitting from one to the other, filling in the backstory and showing us the situation in New York in the late 80s. Credit must also be given to the filmmakers for being able to find all of the major people involved and getting them to agree to share their stories.

We spend the majority of the films running time with the retired cops Michael Dowd and Ken Eurell, and their eventual descent into the life of crime. Even so, the film paints the two in a light where we understand what their motivation for becoming a little bit crooked. It’s like a good Scorsese film, we relate to the main character even when they’re destroying the innocent lives around them. It gets to a point in Precinct Seven Five when a former gang boss who the pair worked for subtly hints that he may have had a man killed, and you find yourself unable to root against the two main players.

To go back to the comparison with Martin Scorsese, the film, despite being a documentary, follows a chronological sequence, with the interviews of Dowd and Eurell, along with fellow officers “Chicky” and Walter being brought back in and out when the film calls for it. The story feels just like one of the famed directors best works, as we watch the ultimately flawed individuals reap the rewards of being a crooked cop and not stop when they going was good and resting on their ill gotten gains. Instead we watch, getting almost infuriated as we watch them lose everything around them.

There are moments when the film cuts away to other cops, such as Joe Hall and DEA agent Mike Norster who were tracking the corrupt cops down, and it feels much like The Departed or Infernal Affairs, rather than something that actually took place. There are even times when car chases and shootouts are the subject of the film, and even though most of the time all we have is the narration and the real footage (with small parts of reconstruction), the film is still a lot more pulse pounding and thrilling than it really should be. It’s sometimes even better than some recent cop dramas.

The only problem I had with Precinct Seven Five was the length of it. Even though the film is only around one hour and forty minutes, the film feels a lot longer than it is. It may be due to the fact of the repetitive nature of the film. By the third or fourth time we’ve seen or heard that Dowd and Eurell are getting deeper and deeper into the world of crime, it feels like we’ve heard the overall narrative before with only the minutest difference in the details. However, the film does come back around again in the final ten minutes with another Scorsese-esque moment, giving the ending a really good punch. Stick around during the first few moments of the credits as well for one last interview where the police officer Joe Hall tells the story of watching Dowd eventually go to jail.

In conclusion, Precinct Seven Five is a thrilling and exciting documentary with a main story that is on a par with most classic gangster films. If you can stomach the copious amounts of swearing and the gruesome injury detail that is sometimes shown or mentioned, then you’ll see one of the greatest hits of the summer.

Score: 9/10 A crime story so enthralling you’ll find it hard to believe it was true.