Top 10 Best Films of 2015

Well, we’re already at the end of 2015. And so, like every other film reviewer, it is customary for a Top 10 list of the best and worst films this year. This list is the best of 2015.

A few rules before I start, only films I’ve reviewed will be appearing on this list, so if you’re looking for a certain film and it isn’t on here, that’s why. Also, this list doesn’t take into account my scores. So a film that scored an 8 or 9 maybe in a higher position on the list than one that has a 10. It happens, I might have just liked a film more after I had written the review. But anyway, let’s get on with it. Some honorable mentions that didn’t make the list;

Amy
Blackhat
Paper Towns
Wild

And now for the rest…

10.

It was a toss up between this and Amy, but after thinking about it I found more enjoyment in Steve Jobs. Standout performances from Michael Fassbender, Kate Winslet and Seth Rogen, a fun and witty script by Aaron Sorkin that manages to be easy and entertaining for the most tech-phobic person to understand.

9.

2015 was a great year for animation, and there are at least two films on this list that show the diversity that was the animation choices this year. Number nine, Song Of The Sea is beautifully crafted and tells a sweet and simple story filled with giants, owls and fairies set in Ireland. It’s going to be one that will be remembered as a standout in future years.

8.

This film threw me when I first saw it. My thoughts when coming out of the cinema were around a 5/10, but after pondering on it, it became one of my favorites of the year, it’s Sicario. Dark, disturbing and sometimes sickening, it’s also a great action thriller, with a standout role for Benicio Del Toro. Director Denis Villenueve seems to be on a roll for creating suspenseful films and Sicario cements his already great resumé.

7.

A recent one, it’s nevertheless a great film. Spielberg comes back to us with Bridge of Spies, and shows he’s still one of the greatest directors living today. In a year filled with spies (Man From U.N.C.L.E., Kingsman and SPECTRE) Bridge Of Spies takes away the bombastic set pieces and brings it down to tense tradeoffs of enemy spies in snowy Berlin. It’s still in the cinema at the time of writing, so if you haven’t had the chance, it’s a great choice to go see.

6.

This was a little closer to the top four when I first made this list and I still think it being on this list will produce a few arguments in my house over whether it was actually that good. But damn it, I love James Bond, and SPECTRE was just what I was asking for. Every other Craig era Bond film has been a character redefining piece, so it’s nice for SPECTRE to get back to the series traditions. Add the gunbarrel, the impressive four-minute shot of the Day of the Dead and Lea Seydoux in one of the best Bond Girl roles since Diana Rigg, for me it’s one of the years best.

5.

John Wick was one of the earliest films I reviewed in 2015, but I had been waiting for it for so long and it still delivered under the intense amount of hype. It was full of everything I love, martial arts, practical stunts and Keanu Reeves. It has a simple set-up for a story, which is just fine since we are here for the gunfights and punch-ups, with the nightclub scene being on a par with the excellent nightclub shootout from Collateral. Like I said in my review, if you’re a fan of The Raid or it’s sequel, John Wick is more of the same.

4.

Four is Brooklyn, the second film to come from the Irish Film Board this year that appears on this list. A trans-Atlantic love story written by Nick Hornby and starring up and comers Saorise Ronan, Domhnall Gleeson and Emory Cohen, it’s heartfelt and sweet, without descending into mawkish Nicolas Sparks style storytelling. Brooklyn stands up there with Calvary, widely considered to be the greatest Irish film ever made.

3.

Inside Out has been appearing on many other peoples Best-Of 2015 lists, and it deserves all of the praise it gets. An inventive premise, that manages to tackle some incredibly dark topics for what is meant to be a kids film. Inside Out shows why Pixar is Pixar, and everyone else is everyone else.

2.

After starting The Student Film Review, I’ve been going to as many films as I can. Films that I wouldn’t have even looked twice at I’ve gone to and in doing so I’ve found some absolute crackers. Precinct Seven Five is one of those films. 2015 has had some good documentaries but for me Precinct Seven Five takes it. Essentially a real-life Scorsese film, the film follows two cops in the 75th Precinct in New York as they decide to become both criminals as well as cops. It’s amazing and shows that documentaries can be more pulse pounding than some action films.

1.

I ummed and ahhed over whether to give number one to this or Precinct Seven Five. But I ultimately gave it to this since it gave me a much more visceral thrill after watching it than Precinct Seven Five, or really any other film did this year. My number one for 2015 is Macbeth. Michael Fassbender (for the second time on this list) and Marion Cotillard give amazing performances, while director Justin Kurzel creates some beautiful shots and brother Jed Kurzel brings a stellar soundtrack. The quartet take one of the most adapted plays of William Shakespeare and turn it into a brooding and violent war epic. It just goes to show that sometimes the best stories are the old ones.

 

I guess that’s it for 2015. I’m Tom, The Student Film Critic and welcome to 2016!

Read the contrasting post on the Top 10 Worst Films of 2015!

Advertisements

Macbeth Review

William Shakespeare is one of the most adapted writers in history, with an estimated nine hundred films based on his plays. In my opinion, I would say Macbeth is his mostly widely adapted. I’ve seen versions of it set in Soviet Russia, in the back streets of London and even one done with Team America-esque marionettes. But by far the best adaptation of the infamous play is the 1971 Roman Polanski version. Can the new adaptation, starring Michael Fassbender reach the heights of the much watched 1971 version?

Macbeth stars Michael Fassbender, Marion Cotillard, David Thewlis and Paddy Considine and is directed by Justin Kurzel. Based on the William Shakespeare play of the same name, the film follows Macbeth (Fassbender) as three witches tell him he will one day become King Of Scotland.

The cast for Macbeth is spectacular, Along with the four top actors I named in the introduction, the film also features such great actors as Elizabeth Debicki (last seen in The Man From U.N.C.L.E.), Sean Harris and Jack Reynor (who we last saw in the woeful A Royal Night Out). It’s a stellar cast, and all of them perform Shakespeare’s lines with passion. The script hasn’t been modernised or updated, it’s a simple transition from stage to screen. In fact, the film feels more like a play than it does a film, with long takes of the actors performing their soliloquy’s out loud. It’s nice to see a film that isn’t afraid to keep the meddling of Shakespeare’s material to a minimum and just let the film play out.

The standout actor of the film though has to be Michael Fassbender. The man brings an entirely new take on the classic character, giving a much more battle-scarred approach to the role. The action scenes, which seem to all be performed by Fassbender himself is making me very excited to see him in next year’s Assassin’s Creed. Macbeth could almost be his audition piece, as he glares menacingly at his foes (in that assassin way) before coming in with his dual swords or his nifty twin daggers that are strapped to his arm.

This version of Macbeth is rooted much more in the battles than the supernatural elements that other adaptations have been based on. The very first scene after the title credits come up is of the battle that the play opens with, and it’s brutal. Fassbender roars like a madman as he races towards his enemies and just as the two opposing sides clash the film drops into slow motion, similar to Zach Snyder’s 300, and lets us watch the blood soaked action unfold.

The Director of Photography is Adam Arkapaw (the guy responsible for the six-minute long take in the first season of True Detective) and just like his television credentials, Macbeth looks stunning. I’ve already talked about the long soliloquy takes and the wide shot battle scenes, but just the establishing shots of the Scottish Highlands are incredible to look at. Another scene worthy of mentioning is the final battle that is surrounded by burning trees. The film basically becomes one giant red haze, with only the silhouettes of the actors outlined amongst the flames. It looks like something out of Dark Souls or The Cursed Crusade, and it’s awesome.

Jed Kurzel (brother of the director) returns to a Michael Fassbender production after their collaboration on Slow West and provides yet another amazing score. There are no stereotypical bagpipes here, it’s mainly violins and battle drums, each perfectly encapsulating the misty highlands and the war-centric story. I remember several times sitting in the movie theatre with a massive grin on my face when Kurzel’s music kicked in, punctuating certain scenes and bringing them to a higher level of filmmaking.

I did find some problems with Macbeth. For some bizarre reason, nearly every line of dialogue is spoken in a half-whisper by the cast. It’s like a weird game of Chinese Whispers, and it sometimes gets to a point where you are struggling to hear the actors speak their lines. Second of all, the first act simply drags on for way too long. I know that the first half is crucial to the story progressing but there was two times within the space of a minute where I did nod off for a couple of seconds. Luckily just as I was falling asleep an incredibly violent stabbing took place on screen (I don’t care if the play has been around for almost 400 years, still no spoilers) and it was the perfect remedy to wake me up for the rest of the film.

In summary, Macbeth is one of the greatest hack ‘n’ slash films since Gladiator. If you think you would be put off by the fact that it’s a true Shakespearian script don’t be, otherwise you’ll be missing out on quite possibly the most epic film of the year.

Score: 9/10 Dark, brooding, moody and blood-drenched, everything you want a Shakespeare play to be.