Top 10 Best Films of 2015

Well, we’re already at the end of 2015. And so, like every other film reviewer, it is customary for a Top 10 list of the best and worst films this year. This list is the best of 2015.

A few rules before I start, only films I’ve reviewed will be appearing on this list, so if you’re looking for a certain film and it isn’t on here, that’s why. Also, this list doesn’t take into account my scores. So a film that scored an 8 or 9 maybe in a higher position on the list than one that has a 10. It happens, I might have just liked a film more after I had written the review. But anyway, let’s get on with it. Some honorable mentions that didn’t make the list;

Amy
Blackhat
Paper Towns
Wild

And now for the rest…

10.

It was a toss up between this and Amy, but after thinking about it I found more enjoyment in Steve Jobs. Standout performances from Michael Fassbender, Kate Winslet and Seth Rogen, a fun and witty script by Aaron Sorkin that manages to be easy and entertaining for the most tech-phobic person to understand.

9.

2015 was a great year for animation, and there are at least two films on this list that show the diversity that was the animation choices this year. Number nine, Song Of The Sea is beautifully crafted and tells a sweet and simple story filled with giants, owls and fairies set in Ireland. It’s going to be one that will be remembered as a standout in future years.

8.

This film threw me when I first saw it. My thoughts when coming out of the cinema were around a 5/10, but after pondering on it, it became one of my favorites of the year, it’s Sicario. Dark, disturbing and sometimes sickening, it’s also a great action thriller, with a standout role for Benicio Del Toro. Director Denis Villenueve seems to be on a roll for creating suspenseful films and Sicario cements his already great resumé.

7.

A recent one, it’s nevertheless a great film. Spielberg comes back to us with Bridge of Spies, and shows he’s still one of the greatest directors living today. In a year filled with spies (Man From U.N.C.L.E., Kingsman and SPECTRE) Bridge Of Spies takes away the bombastic set pieces and brings it down to tense tradeoffs of enemy spies in snowy Berlin. It’s still in the cinema at the time of writing, so if you haven’t had the chance, it’s a great choice to go see.

6.

This was a little closer to the top four when I first made this list and I still think it being on this list will produce a few arguments in my house over whether it was actually that good. But damn it, I love James Bond, and SPECTRE was just what I was asking for. Every other Craig era Bond film has been a character redefining piece, so it’s nice for SPECTRE to get back to the series traditions. Add the gunbarrel, the impressive four-minute shot of the Day of the Dead and Lea Seydoux in one of the best Bond Girl roles since Diana Rigg, for me it’s one of the years best.

5.

John Wick was one of the earliest films I reviewed in 2015, but I had been waiting for it for so long and it still delivered under the intense amount of hype. It was full of everything I love, martial arts, practical stunts and Keanu Reeves. It has a simple set-up for a story, which is just fine since we are here for the gunfights and punch-ups, with the nightclub scene being on a par with the excellent nightclub shootout from Collateral. Like I said in my review, if you’re a fan of The Raid or it’s sequel, John Wick is more of the same.

4.

Four is Brooklyn, the second film to come from the Irish Film Board this year that appears on this list. A trans-Atlantic love story written by Nick Hornby and starring up and comers Saorise Ronan, Domhnall Gleeson and Emory Cohen, it’s heartfelt and sweet, without descending into mawkish Nicolas Sparks style storytelling. Brooklyn stands up there with Calvary, widely considered to be the greatest Irish film ever made.

3.

Inside Out has been appearing on many other peoples Best-Of 2015 lists, and it deserves all of the praise it gets. An inventive premise, that manages to tackle some incredibly dark topics for what is meant to be a kids film. Inside Out shows why Pixar is Pixar, and everyone else is everyone else.

2.

After starting The Student Film Review, I’ve been going to as many films as I can. Films that I wouldn’t have even looked twice at I’ve gone to and in doing so I’ve found some absolute crackers. Precinct Seven Five is one of those films. 2015 has had some good documentaries but for me Precinct Seven Five takes it. Essentially a real-life Scorsese film, the film follows two cops in the 75th Precinct in New York as they decide to become both criminals as well as cops. It’s amazing and shows that documentaries can be more pulse pounding than some action films.

1.

I ummed and ahhed over whether to give number one to this or Precinct Seven Five. But I ultimately gave it to this since it gave me a much more visceral thrill after watching it than Precinct Seven Five, or really any other film did this year. My number one for 2015 is Macbeth. Michael Fassbender (for the second time on this list) and Marion Cotillard give amazing performances, while director Justin Kurzel creates some beautiful shots and brother Jed Kurzel brings a stellar soundtrack. The quartet take one of the most adapted plays of William Shakespeare and turn it into a brooding and violent war epic. It just goes to show that sometimes the best stories are the old ones.

 

I guess that’s it for 2015. I’m Tom, The Student Film Critic and welcome to 2016!

Read the contrasting post on the Top 10 Worst Films of 2015!

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John Wick Review

John Wick has been one of my most anticipated films of 2015. I mean, I heard about this film all the way back in mid 2014, followed its success in every other territory that it was released in, read the Guardian review of it in October 2014, and then had to wait another six months before I could finally watch it. But boy was it worth the wait.

John Wick stars Keanu Reeves as the title character, Willem Dafoe as his friend/co-worker Marcus and Michael Nyqvist (well known for the Swedish version of The Girl With Dragon Tattoo) as his ex-employer Viggo. When his pet dog is killed and vintage ’69 Mustang are stolen by a gang of Russian thugs, John Wick comes out of retirement, as he was once a revered hitman, to exact revenge.

First off, this film looks gorgeous. With rain-slicked streets, neon infused nightclubs (and subtitles) and swanky hotel suites littered throughout the entire film, credit is due to cinematographer Jonathan Sela, who captures several beautiful scenes. The nightclub in particular, which houses one of the best action scenes of the film, is awash with contrasting red and blue lighting, giving us a beautiful silhouette effect on the characters that are fighting.

Praise must be given to all actors and actresses involved, who all give standout performances. Keanu Reeves doesn’t really display much emotion (that’s unfair, I do like Keanu Reeves) but special praise must go to him for his performance of many of the stunts and fight work, which at age 50 is pretty spectacular. Willem Dafoe and Michael Nyqvist play both their roles with some beautiful overacting, and Adrianne Palicki as the possibly psychotic hitwoman Miss Perkins is fun to watch interact with Reeves. A small role for Lance Reddick as a concierge has some funny quips, but the star everyone will fall in love with is Andy, the beagle puppy. Even if you hate dogs, the first time the camera zooms in on his face, with his large brown eyes, you’ll melt.

While the story is paper-thin at best, another thing I really liked about John Wick was the world-building it did. Throughout the film Reeves makes his way to bars, clubs and hotels where he is known, and which are filled with other hitmen and women. Sometimes they’ll see each other and exchange greetings, and reminisce about previous work, and it all works without coming off as odd. Mr. and Mrs. Smith did a similar thing, what is does is flesh out the world. It almost makes me want to see a prequel/sequel, just so that we get to explore the world full of assassins again.

The fight scenes, while sometimes stunning, do occasionally focus on extreme close ups, which leads to some fight scenes being a bit unfocused. To continue with a couple of the other negatives, the first half of John Wick does seem a bit overly long, and that does mean it suffers from some pacing issues in the second half when what should be big important fight scenes are pushed quite close together.

Another problem is the score for the film. While the film has several composers, with Tyler Bates and Joel J Richard creating most of the original score (notable past work includes 300, Rise of The Argonauts, The Bourne Identity and Guardians of the Galaxy) the score here feels a bit generic, with only THINK by female duo KALEIDA being memorable. However, those few nitpicks don’t dilute the film too much into being anything short of enjoyable.

In summary, John Wick is a must for action fans or those looking to see some fantastic camera work or in camera stunts. If you like The Raid or its sequel (two of my favourite films of recent years) then I would strongly recommend John Wick.

Score: 8/10 Classy cars, sharp suits and visceral violence makes this film one to remember