When Mel Gibson releases a film, people sit up and pay attention. Ever since Braveheart back in 1995, which he directed, starred and produced, Gibson has been one whose films are shocking and controversial, while also receiving high critical acclaim. Does his new film Hacksaw Ridge follow the great string of films before it?
Hacksaw Ridge stars Andrew Garfield, Hugo Weaving, Vince Vaughn, Sam Worthington and Teresa Palmer and is directed by Mel Gibson. The film follows the true story of Desmond Doss (Garfield) a contentious objector during the Second World War. He volunteers as an army medic instead and is sent out during the battle of Okinawa, in which he saved the lives of seventy-five men.
If Mel Gibson’s films are known for anything is their almost pornographic depictions of gore and violence and the sometimes heavy-handed religious metaphors and aggrandising of the main character. In terms of the former, Hacksaw Ridge has the blood and bodies turned up to eleven. This isn’t the bloodless fights of Marvel, or the rather scaled-back violence in Saving Private Ryan, Hacksaw Ridge paints the screen red with blood. It’s an odd balance of sickening and gratuitous; a solider picks up the corpse of a comrade and uses him as a shield, we get several body pans focusing in on missing legs and the Japanese soldiers use samurai swords when finishing off the barely surviving soldiers. The start of the film is an almost Nicholas Sparks-style romance film, with Garfield’s Doss falling in love with a nurse. When it comes time for the battle to start, the switch to dismemberment is a tonal whiplash, leaving you completely open to the vile amount of gore on stage.
Garfield is near perfect in his role as Desmond Doss. Most people only really know Garfield as the second Spiderman, a character known for being quiet and unassuming. He brings that, along with a childhood innocence and naiveté to the role, leading to a main character that you root for and understand his motivations. His religion is not over-played, it’s just another layer to the character. My only flaw would be his “aw-shucks” accent, which makes him sound like he’s talking with a mouth full of food. The rest of the cast are good, even if most of his fellow soldiers are one-word stereotypes. And who knew that Vince Vaughn, the guy from Wedding Crashers and Dodgeball would do a good job in an action role? And Sam Worthington could actually emote?
The accompanying score by Rupert Gregson-Williams is an excellent addition to the film. It has the hallmarks of a war movie; the marching drums and the bold brass for the action heavy second half, but evens it out with some beautiful string and woodwind solos during the beginning and the downtime in between the fights on the battlefield. It’s easily one of the best soundtracks I’ve heard in a long time, not since Bridge of Spies have I been blown away by the score of a film.
The film does have some minor faults. While it was important to establish Garfield’s character’s optimism and innocence, the first half feels both overlong and cut short at the same time. It’s pretty much the first hour, but most of the scenes that are a good few weeks apart are shunted together like they are happening in the same day. As I said before, the romance sometimes comes off a little corny, with cheesy one-liners being most of Garfield and Teresa Palmer’s dialogue together. The film also ends with actual interview footage with Doss and his fellow soldiers, which feels a bit at odds since we’ve just got done watching a dramatisation of the events. Maybe it was to show that some things depicted in the film actually did happen, but I got that from the “this is a true story” at the beginning.
In the end, Hacksaw Ridge completely blew me away. While it may not reach the cultural heights of Braveheart (everyone knows the “they may take out lives” quote), it’s still a bombastic, violent depiction of the Second World War. It’s definitely not one for the squeamish.
Score: 8/10 A cinematic tour-de-force on the brutality of war and the power of the human spirit.