Ghostbusters Review

And now for one of the most talked-about and controversial films of 2016. It’s trailer was one of the most disliked in YouTube history and it has had a torrid affair with fans on one side and filmmakers on the other, mud-slinging like their life depended on it. But let’s try and cut through all of that to the film. It’s Ghostbusters.

Ghostbusters stars Melissa McCarthy, Kristen Wiig, Leslie Jones, Kate McKinnon and Chris Hemsworth and is directed by Paul Feig. A reboot of the popular 1984 film of the same name, the new film follows an all-female crew who have to save New York from invading ghosts.

Let’s be upfront, I wasn’t looking forward to Ghostbusters. The trailer was very poorly put-together, it looked like a lot of the charm had been taken out and to top it all off, I really disliked director Paul Feig’s earlier work. Things like Bridesmaids, The Heat and Spy are very poor films, so it was with great scepticism I went to Ghostbusters. How wrong I was.

The cast is the greatest thing about the film. I was always okay with the idea of a female Ghostbusters, and the four actresses are funny and work well with each other. They are not just straight re-treads of the old characters (apart from maybe Leslie Jones, the only non-scientist and token black lady of the team) and while none of them are as stand out as Bill Murray was, they do a good job. The surviving cast members of the original Ghostbusters turn up, but I felt it was a little forced and would have worked just as well without them. Chris Hemsworth though as the not-too-bright secretary Kevin is one of the best characters in the film. He has the funniest lines and it’s nice to see a change of pace from Hemsworth’s work in Thor and The Avengers.

Again, the trailer showed a few jokes and many of them were received poorly by fans. And while there are quite a few duds near the beginning, after a good 20 minutes the jokes start getting really good. I laughed a lot near the middle of the film, but towards the end, as the film moves more from comedy to action, the jokes fizzle out.

One of the main complaints was the CGI ghosts and after seeing the film, I can sympathise. The ghosts are a bit too clean, they looks more like plastic dolls which loses their scare value. A lot of the original ghosts and demons were animatronics, and the CGI from thirty years ago makes them oddly creepy. Here, they are a bit too processed, but they sometimes still manage to be spooky. One sequence involving mannequins looks like it would be right at home in an episode of The Twilight Zone and is effectively sinister and humorous.

The pacing is also rather off. The new film mirrors the original in the way that the squad forms and starts to take down ghosts, but there is hardly any build up to the final fight. The original (sorry I keep comparing them but it’s necessary) had that team-building but then had a montage of the team catching several ghosts from all over the city. In this version, the team catches one ghost, let’s go free and then it’s off to the final encounter with the big bad guy. It seems a little rushed, hopefully they put more of it in a sequel if they decide to do more.

In the end, the new Ghostbusters defied my expectations. It has several great jokes, the characters are interesting new additions to the series and it actually manages to be suitably chilling at times. It may not reach the heights of the original, be it easily surpasses Ghostbusters 2.

Score: 7/10 Surprisingly enjoyable. No need for mass hysteria and boycotts.

Blackhat Review


Blackhat is another 2015 film that I just missed before starting The Student Film Review. It had come out on DVD all the way back in June, but I only managed to pick up a DVD copy last week. And now I get to review it.


Blackhat stars Chris Hemsworth, Wei Tang, Leehom Wang and Viola Davis and is directed by Michael Mann. Blackhat follows convicted hacker Nick Hathaway (Hemsworth) as he released from prison to help a joint US-Chinese taskforce track down a dangerous hacker who is wreaking havoc through computers.

Michal Mann’s resume as a director is spectacular. His filmography includes things like Public Enemies, Heat, Collateral and Last Of The Mohicans. I went back and watched Last Of The Mohicans a few days ago just to see how it stacked up against Blackhat, and it’s still as amazing and brutal as when I first watched it. The man knows how to direct a good film. Blackhat, while not his best is still a very competent and good-looking film.

The main problem people have with Blackhat is that Chris Hemsworth is meant to be a computer hacker. Yeah, Chris Hemsworth, the guy who plays Thor is a computer hacker. I really don’t have a problem with the casting, early on in the film we see Hemsworth doing push-ups against a wall and a few lines of dialogue near the middle of the film indicate that his extended stay in prison away from computers meant he spent most of his time working out. However implausible that a 24-hour code junkie looks like a body-builder, I’ll buy it for the sake of the story.

The rest of the actors are rather more believable (and likeable), with Leehom Wang as Captain Chen Dawai who has history with Hathaway and Viola Davis as FBI Agent Carol Barrett who delivers nearly every line in a deadpan tone, sometimes accidently falling into the stereotypical “sassy black woman” role. The only bad casting in my opinion is Wei Tang, who like Chris Hemsworth doesn’t look like a stereotypical hacker and is mostly wooden throughout the film.

Michael Mann as a director is mainly known for two things, beautiful cinematography of cities (mainly at night) and then subsequent gunfights taking place in said city. Both of these factors work perfectly in Blackhat. The story jumps all over the world, starting in Hong Kong, but quickly moving to Los Angeles, back to Hong Kong, then to Kuala Lumpur and then finally to Jakarta. Mann soaks in these beautiful landscapes in the same way Hitman: Agent 47 did with Singapore, using beautiful helicopter shots to show the modern architecture or the wide-open expanses off. The gunfights in these locations are also put together well, with a spectacular shootout in the middle of the film set in a Hong Kong shipping port. The gunshots echo around the metal containers and from far off, giving the film a great sense of realism.

The main problems I had with the film is the length and the villains. The film is over two hours long (shorter than most of Mann’s films) but due to slow pacing at the beginning the first half feels a lot longer than it is. The pace does thankfully pick up during the second half of the film, meaning the film hurtles towards it conclusion, but since the pace has picked up the film accidently flies straight past it’s ending, with no memorable end scene. I actually had to think really hard to try and remember how Blackhat ended; I eventually gave up before it finally came to me. The film doesn’t know how to keep a steady pace; instead it just flips from one end of the scale to the other. The villains are bland and boring, just coming down to dudes who actually look like hackers but are also experts with machine guns. The main bad guy doesn’t have a big, memorable reveal so the film feels a little unfocused since we don’t know or care who this guy is.

In conclusion, Blackhat has some problems with its cast and story, but the amazing cinematography, coupled with the exotic locales and brilliant gun battles and knife fights make it an interesting action film.

Score: 7/10 A straight forward action-chase film with a modern day digital update.