With the new film in the series, Jason Bourne coming out in the…Jason Bourne franchise, I thought it might be a good idea to go back to the series as a whole. The Bourne series’ influence on cinema in the post-2000 scene is massive, everything from Taken to XIII to Daniel Craig’s James Bond owes a debt to Bourne, and it’s still influencing cinema today. The films I will be reviewing are;
- The Bourne Identity
- The Bourne Supremacy
- The Bourne Ultimatum
- The Bourne Legacy
The Bourne Identity
The start of the series, with Matt Damon in the title role and Doug Liman on directing duties. The film follows Jason Bourne (Damon) a spy for the CIA who is struck with amnesia and hunted by his old firm. We see the start of the themes and notes of the franchise here; the European setting, a sense of realism (distinguishing it from the most recent James Bond film at the time, Die Another Day) and the bone crunching mix of Jeet Kune Do and Filipino Kali for the fight scenes. And while there are moments of greatness peppered throughout (The bank/embassy evacuation, the Mini chase through the streets of Paris and the showdown with Clive Owen’s Professor) there is a hint of ropey-ness about it all. The fight scenes aren’t well shot and the sound effects are ripped straight from an Adam West Batman episode. The staircase ride, while it starts interesting, also has some video-gamey sound effects, poor CGI and sped-up footage. Apart from that, Chris Cooper is a great villain as Conklin and John Powell’s score is one of the most recognisible themes in all of cinema.
Score: 6/10 A Good start to an action series.
The Bourne Supremacy
Matt Damon returns as the superspy but the director’s chair has moved from Liman over to Paul Grengrass. The story continues two years on, when a shadowy Russian oligarch forces Bourne back into the CIAs spotlight. While this was never my favourite Bourne film, after going back to it, I look upon it more favorably. Greengrass’ signature hand-held shaky style is at it’s best here (and sadly imitated poorly by many other directors) conveying the brutality and speed of the hand-to-hand fight scenes. One fight, between Bourne and the last Treadstone assassin, Jarda, is a brilliant display of improvised weaponry. The hotel/ Neski segments have a nice Traditions Of The Trade feel and help fill in background to Treadstone. The main weak point is the story. Who is Gretkov (the oligarch) and why is he so interested in Bourne? Why does he have the Neski files? There is no clear point to why the main bad guy is setting up Bourne other than to make some money, which is quite poor character development.
Score: 8/10 If it wasn’t for the weak story, this would have been the best one.
The Bourne Ultimatum
The final chapter of the Matt Damon trilogy, with Paul Greengrass returning to direct. Set mere hours after the end of Supremacy, the film follows Bourne as he finally heads after the CIA to find out who he really is. This is the culmination of everything that was great about the first two while taking out the elements that didn’t work. The hand-to-hand combat is better than ever, with a beautiful set piece against a Capoeira-infused Blackbrair agent. The rest of the action set pieces are on par, with a great rooftop chase in Tangiers as well as a shootout in London Waterloo. The story is also leagues ahead of the tenuous link in Supremacy, with it linking back to Bourne as his origin rather than some half-baked scheme about stealing money from the second film.
Score: 9/10 The best of series so far.
The Bourne Legacy
With Matt Damon and Paul Grengrass both said they were not returning to the series, it fell to the previous three film’s screenwriter Tony Gilory to take the directing chair and Jeremy Renner as a new “Outcome” agent Aaron Cross to take hold of the Bourne franchise. Set during and after The Bourne Ultimatum, the film follows another agent, Aaron Cross, as the previous programs are shut down by government bureaucrat Eric Byer (played superbly by Edward Norton) to risk embarrassment of the CIA. Cross is the only survivor of his program, leading the CIA to hunt him down. While Jeremy Renner is good stand-in for Matt Damon in the action scenes, his manner is too cheerful. He’s always cracking jokes, which doesn’t really fit the character of a deadly assassin. His romance with Rachael Weisz seems token and the film ends flatly, obviously trying to set up a sequel that never came. Apart from one long-take of Cross in a shootout in a house and a nifty motorcycle trick near the end, the rest of the action is boring or ridiculous. The story isn’t engaging like the third film and it’s only the barest relation to the Bourne series that made anyone want to go see it.
Score: 4/10 Generic-o fist-punchy, gun-shooty (that means it’s bad).