Oh for goodness sake, let the sequels end! “But this is different,” I hear you say, “it’s Disney/Pixar”. And yes, before they became the super-media conglomerate that eats up every single other piece of entertainment, Disney and it’s younger creator Pixar crafted some excellent contained movies. Which they are now soiling with unnecessary add-ons like Cars 2 and Monsters University (admit it, you completely forgot they made Monsters University). But let’s dive in (pun intended) once again for Finding Dory.
Finding Dory stars Ellen DeGeneres, Albert Brooks, Hayden Rolence and Ed O’Neill and is directed by Andrew Stanton. The film follows on one year after the events of Finding Nemo, when Dory (DeGeneres) remembers her parents, she sets off to find them, with Marlin (Brooks) and Nemo (Rolence) in tow.
While I was on-board for the sequel, the story is rather boring. In Finding Nemo, Marlin was unsure of how to reach Nemo, and that’s what made the story exciting. In the sequel, we are pointed to exactly where Dory’s parents are at the beginning of the film, so it just gets tiresome after the fourth or fifth time Dory goes in the wrong direction. Even in a 90 minute film, this feels like extraordinary padding. To the end of the film I was really getting angry at the drudging story, but then during the final twenty minutes, the film pays off for one beautiful scene, before heading back to trudging boredom for the finale. And sure, it’s nice to go back to these characters, but there aren’t many memorable new ones. But stick around until the very end credits and you may see some familiar faces.
The film is a lot lighter on jokes than previous Pixar films, and most of the good ones were shown during the trailers. The majority come from the duo of Dominic West and Idris Elba as a pair of “geezer” sea lions (who were shown, but only one moment), who switch from stretching out in the sun to barking at trivial things. They are one of the funniest things in the film but are only in the film at the very beginning and at the very end.
Since the whole film is set at an aquarium, you would think that you would get some lovely shots of thousands of fish swimming around the giant tanks. Sadly not so. We may get one or two fleeting glimpses of shots similar to the school run at the start of Nemo, but most of Finding Dory is set in bland white corridors and darkened storage facilities. With Pixar being one of the biggest animation houses, I would really want for something a bit more stimulating than nondescript buildings.
Maybe Pixar spent the entire budget on the short film before, called Piper. It’s another animal based story, of a small bird learning how to hunt for food in the sea. It’s almost photo-realistic, like a nature documentary, but with some silly human qualities added to the birds to make them more relatable I guess.
But I can’t deny, the music is what pushes the film along. Thomas Newman returns once again, and basically does the same thing he did for Nemo. It’s sad when the best thing about the new film is something that was perfected back in 2003, but it’s great to hear Newman’s signature style in a cinema sound system.
To finish, Finding Dory was just like every other sequel this year, really, REALLY not needed. And Dory continues the trend of Pixar properties of having a really good first film and a quite boring second attempt (Toy Story being the only exception). I would say let’s learn from our mistakes, but heck, we’re all going to go watch Incredibles 2 aren’t we?
Score: 5/10 Fleeting moments of greatness, let down by a wilting story.