The first superhero film of a year saturated with superhero films. We’ve got Batman v. Superman: Dawn of Justice, Suicide Squad and Captain America: Civil War also coming out this year. But first, we must start with this week’s Marvel property, Deadpool.
Deadpool, stars Ryan Reynolds, Morena Baccarin, Ed Skrein and TJ Miller and is directed by Tim Miller. The film follows mercenary Wade Wilson (Reynolds) as he acquires mutant abilities, transforming him into Deadpool. He then goes after the men who ruined his life and tries to save his ex-girlfriend.
Deadpool as a comic book character is known for being very post-modernist. He regularly breaks the forth wall, or referencing the comic book writers or other characters, he even uses the comic book panel layout to fight his enemies. It’s his signature style, and thankfully, the script writers, Paul Wernick and Rhett Reese have got it down perfectly.
The jokes start from the very start, where instead of a credit sequence, vaguely insulting descriptions pop up e.g. “A Shameless Cameo” (Stan Lee) or “An Overpaid Idiot”, (the director, Tim Miller). It’s the first time a Marvel film has gone into full-blown comedy mode, and nearly every joke hits it’s mark. Near the middle of the film, once the spark of the opening has worn off, a fair few of the jokes become very hit-and-miss, sometimes just being profane for the sake of it. It does turn just far enough back around for the ending, but it never really recaptures the excellent comedy of the first half an hour. There are even a few “jokes” to try and win over fanboys (involving the last two superhero characters Reynolds infamously played) that repeat so often it feels a bit tiring.
While many people were angry about Ryan Reynolds being Deadpool (my Twitter feed was full of comic fans spitting in 140 characters), he brings a huge amount of energy to the role. TJ Miller (who was in Disney’s kids Marvel film, Big Hero 6) as his friend Weasel is good in the nerdy sidekick role, with some great lines. There is a small role for famous singer Leslie Uggams as Deadpool’s elderly blind roommate, whose arguments with Deadpool over furniture are hilariously absurd. My favourite character though is Colossus, played by both Stefan Kapičić and Andre Tricoteux. He should be a massive bruiser, but Kapičić’s (excellent Russian) voice, mixed with Tricoteux’s motion-capture create a character who does everything to not hurt his enemies. There is even a bit during a fight where he helps an enemy back to their feet before engaging them again.
The licensed soundtrack is magnificently overdone and entertaining. Keeping with the post-modernist flourishes, the soundtrack is all 80s to early 90s, featuring Juice Newton’s “Angel In The Morning” (which accompanies the opening credit sequence), Salt-n-Pepa, several instances of George Michael and Wham! and DMX’s “X Gon’ Give It to Ya” (which is the background to a brilliantly over-the-top slow-motion walk). They’re all toe-tapping songs, and fit perfectly into the messed-up mind of Deadpool’s character.
The story flips back and forth through time, which personally got rather annoying for me. We start the film with Deadpool on the tail of the man who ruined his life, before jumping back to before he acquired his superpowers, and then back to the present. The film does this several times and by the third or fourth time it became tiresome. The starting story was the most interesting and it took a long time to come back to this plot thread, instead just adding baggage to his earlier life. Once he gets his powers though, the story picks back up again and we get some gory and blood-soaked fights.
In the end, Deadpool is a better than anything that came out under the Marvel banner last year. I don’t know if it stands up with the best of them (which I think everyone collectively agrees is the first Iron Man) but it will find an audience who want their superheroes to be more foul-mouthed and puerile. Watch at your own discretion, but you’ll definitely laugh with and at Deadpool.
Score: 7/10 Funny, gory and gloriously dumb.