With Quentin Tarantino bringing out his new, (technically ninth) film soon, The Hateful Eight, I thought it would be good to catch up on the rest of his filmography. So, the eight films I’ll be reviewing today are,
- Reservoir Dogs
- Pulp Fiction
- Jackie Brown
- Kill Bill: Volume 1
- Kill Bill Volume 2
- Death Proof
- Inglorious Basterds
- Django Unchained
With the large amount of films to get through, let’s get started.
Tarantino’s first feature film, and it definitely shows. While the basis of Tarantino’s later work is featured here (dialogue heavy scenes, excessive violence and constant swearing) it has some odd pacing decisions that drags it from high-octane to super slow. However, the continual one-liners from Mr. Pink (Steve Buscemi) and the infamous ear-shaving scene are reasons to watch.
Score: 7/10 A good place to start.
Widely considered to be Tarantino’s best work, the film follows several criminal characters over the span of a few days. The dialogue is as good as it gets, the violence is toned down enough to not be too offensive and the jokes come a mile a minute. Throw in some of the best work of John Travolta, Samuel L. Jackson and Uma Thurman, and you have one of the finest and most quoted films of the 20th century.
Score: 10/10 A film that everyone should see at least once.
A similar set-up to his previous film, Jackie Brown (adapted from the crime novel Rum Punch) follows police detectives, gun-runners and the down-on-her-luck stewardess Jackie Brown as each one tries to out-wit the other out of half a million dollars. There are some excellent and memorable scenes as well as some tense lying games, but some Tarantino fans will be missing the violence, language and overt references to genre films. It has some odd editing and a nearly three-hour run time, but it’s good enough to sit through.
Score: 7/10 A clever crime caper.
Kill Bill Volume 1
The first half of the five-hour epic Tarantino wanted us to watch in one go. While the standout Crazy 88 fight and the anime segment are cinematic gold, the films constant referencing to Hong Kong Cinema get’s a bit tiring after a while. On top of that, the fact that it’s incredibly light on story makes this only one to watch in conjunction with the second film.
Score: 6/10 It’s only good as a whole, not as a half.
Kill Bill Volume 2
The viewers pining for the story in KBV1 will find their needs met, the more action-oriented viewers will find the film lacking. While the film has more of Tarantino’s dialogue scenarios, it doesn’t have the amount of katana fights or gushes of blood. Even the final fight with Bill is underwhelming, but Brandon Liu (brother of Lucy from KBV1) as martial artist teacher Pai Mei steals the entire film.
Score: 7/10 It’s better than the first.
Tarantino’s contribution to the Grindhouse project, it’s sadly his least successful and according to the man himself, his least liked self-made film. Although in my opinion it’s one of his best. Unlike his earlier films, that are filled with movie references, Death Proof is about the art of film, meaning it’s filled with jump cuts, monochrome edits and retro-fitted with scratches and “missing reel” inserts to mimic 70s grindhouse. Throw in psychotic stuntmen, amazing car chases filled with death-defying stunts and a lap dance that inspired the famous “Scene does not contain a lap dance” line from Cinema Sins, you have one great film.
Score: 9/10 Shouldn’t have had the negative response it had.
A history-rewriting, Jewish war revenge film, the film follows both the titular Basterds, as well as Melaine Laurent as Shosanna Dreyfus as they both try and put an end to WWII, one bloodied-Nazi at a time. Starring a stellar cast, with Brad Pitt, horror director Eli Roth and a star-making performance for Christoph Waltz, along with an incredibly bloody and hilarious final act, it’s another cracker from Tarantino.
Score: 8/10 Charming, irreverent and damn funny.
A western focusing on the worst aspects of slavery in America’s history, this could be one of Tarantino’s most thought-provoking films yet. The violence, while sporadic, is incredibly brutal, with a few moments that I had to look away from the screen. While it has it’s great moments, the films does go one for far too long, with the home stretch after the “Painting Candyland” scene going on for way longer than needed. That being said, there really is nothing else like it in the history of cinema.
Score: 6/10 The length brings down what is a really good film.