The nominations of the British Independent Film Awards came out recently, with many films I’ve already covered like Macbeth, Ex Machina and Amy being nominated in several different categories. One film that kept appearing was called Brooklyn, and as it happens, today was its opening day in cinemas. Does it deserve it’s nominations, let alone the awards?
Brooklyn stars Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent and Julie Walters and is directed by John Crowley. Based on the best-selling novel of the same name by Colm Toibin, Brooklyn follows Irish immigrant Eilis (Ronan) as she must pick between two potential lives and suitors, one in New York and one in Wexford, Ireland.
One of the factors that drew me into watching Brooklyn was that the screenplay is written by Nick Hornby. Hornby is the famed writer behind film hits such as High Fidelity and About a Boy, making him one of the more well known screenwriters today. And just like the two films I mentioned, Brooklyn has a terrific script. The conversations between the several characters are a joy to listen to (and not only because of those excellent Irish brogues). As Eilis emigrates to the USA, the film is full of conversations on being homesick and the struggles of trying to fit in, all of which are conveyed excellently by Ronan. Hornby manages to find many great snapshots of a life outside of your home country in Brooklyn, as well as several charming moments of silence between our leading lady and her suitors, with Ronan showing the strings of anxiety and excitement tugging below the surface. And like many good writers, Hornby keeps the audience on their toes to the very end, giving us two favourable suitors that Eilis would be happy with, but ultimately has to break one of their hearts.
Saoirse Ronan has been is several hit films before, such as Atonement and The Grand Budapest Hotel, but here as Eilis she shows off her wide range of acting abilities. In the beginning when she first goes to America she is worried and alone, but as she starts to settle in she becomes a much more upbeat and carefree. Her two suitors, played by Emory Cohen and Domhnall Gleeson are both very good, giving us two characters that Eliis would have a hard time deciding to choose between. Gleeson, while his character is still rather reserved, thankfully manages to step far enough out of the “socially awkward” role that he had been stuck in for a large portion of his earlier film roles. Two small roles for Jim Broadbent and Julie Walters are fun little distractions, with Broadbent being a priest who helps Eilis settle in and Walters being a nosey, old landlady.
My only real problem with the film is that is it does feel a tiny bit overlong. With Eilis going back and forth between her suitors in letters and in person, there are some scenes that feel quite redundant. This might be due to the fact that we have to watch Eilis fall in love twice within the run time of the film so scenes might start to have an odd sense of repeating themselves. But apart from this one small nitpick, there really isn’t much else wrong with the film.
Hearing the summary for Brooklyn‘s story, or watching the trailer could have easily turned off a few potential viewers. It sounds too sweet and sugary, another bloody Nicolas Sparks-style adaptation, despite no-one either wanting or asking for it. But, mostly down to Saoirse Ronan’s outstanding acting ability, managing to look calm and sensible on the outside but able to convey to the audience her insecurities and fears, Brooklyn elevates what could have been a schlocky sentimental period piece to a much higher standard. And, if you’re anything like the audience in the viewing I was in, you’ll be bawling your eyes out by the end credits.
Score: 9/10 Heartfelt, emotional and compelling, a serious contender for the Awards season.